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In this way, the calligraphy is a pragmatic and useful art. In conclusion, the calligraphy is an integrative art style which is inclined to express the subjective spirit and feeling. The calligraphy relatively centralizes the fundamental characters of China’s art. Besides, calligraphy altogether with Chinese traditional painting leads the other styles of Chinese arts which is similar to architecture and sculpture leading the other art style in western arts. The calligraphy was acted as the first place in Chinese arts. Sometimes we often equalize the calligraphy and traditional painting but we always put the calligraphy in priority, and we also say the same origin that calligraphy and Chinese traditional painting derive from and equate the traditional music, Chinese chess, calligraphy and traditional painting. The calligraphy was closely connected with Chinese traditional paintings. Especially the appearance and development of literator’s paintings, the principles and regulations of the lines of paintings directly originate from calligraphy; the style of painting in strong and rich Chinese ink and the free lines is related to the interest and rules of cursive hand and free script. The veins of Chinese ancient sculptures are also the weave of the lines from calligraphy. The decoration and sculpline of sculptures keep in inherent touch with the principles of seal in calligraphy. What’s more, the layout and major girders of Chinese traditional architecture are both following the rules of symmetry, proportion, the relationship between principalship and subordination and so on, and all of these are directly coming from the calligraphy, additionally the connotation, scenery- borrowing and the pursuits of hollowness and motion are also connects closely with the structure, composition, rhythm and charm of calligraphy.